Born in Canada moved to Peru's altiplano at the age of six; came to the U.S. at 10 to discover that you don't use your feet to dribble the ball. Learned from the git-go that "America" is an idea, not a place.
Nearly two weeks after the Big Day, local gourmets are justified in crying out, like the old lady in 1984’s memorable Wendy’s commercial: “Where’s the crab??”
I felt as if I had been strapped to a platform and slowly driven through one of sculptor Richard Serra’s immense steel plate installations, with my eyes fixed three inches from its surface, the better to appreciate every noble rusty nuance.
At the end of Beyond Ballet, PNB’s second live program under current live-performance COVID rules, my date and I joined the hearty applause for the company premiere of Jason...
Carry your impression of the couple with you as you view the remarkable assembly of art works which were their everyday home environment. You’ll find connections between artists and images you’d otherwise miss.
The choreography is fluid, flexible, constantly folding, an interaction of equal mutual forces embodied by undifferentiated partnering as unlike the polar gender opposition of classical ballet as imaginable.
The show everybody is watching this summer is a 9-hour, 10-installment limited series in which class and ethnicity and gender are the raw material of everything we see, but the story told is a just one more fiendishly clever manipulation of our times’ inexorable submission to the superhero genre.
Under the trade name Coro by Salumi, the old/new brand launched in October 2019, just in time to see the world, especially the retail world, shut down tight. Even in a food-besotted market like Seattle, an iconic eatery changing hands was not front-page news.
Even today, the firm’s immense resources are organized—if that is the word—into categories—“Psychotronic” and “Literature” and “Live-Action Manga” are fair examples—which have more to do with desperate film-fandom than rational classification.
