Born in Canada moved to Peru's altiplano at the age of six; came to the U.S. at 10 to discover that you don't use your feet to dribble the ball. Learned from the git-go that "America" is an idea, not a place.
The choreography is fluid, flexible, constantly folding, an interaction of equal mutual forces embodied by undifferentiated partnering as unlike the polar gender opposition of classical ballet as imaginable.
The show everybody is watching this summer is a 9-hour, 10-installment limited series in which class and ethnicity and gender are the raw material of everything we see, but the story told is a just one more fiendishly clever manipulation of our times’ inexorable submission to the superhero genre.
Under the trade name Coro by Salumi, the old/new brand launched in October 2019, just in time to see the world, especially the retail world, shut down tight. Even in a food-besotted market like Seattle, an iconic eatery changing hands was not front-page news.
Even today, the firm’s immense resources are organized—if that is the word—into categories—“Psychotronic” and “Literature” and “Live-Action Manga” are fair examples—which have more to do with desperate film-fandom than rational classification.
Mark Morris created greatness early in his career. Though he then made plenty of memorable dances, observers wondered if he could ever create another to match his stunning debut. This work, set to Mozart, became that piece.
Wilson says he did not feel he was Black by nature. He had to learn to be Black, and his education, which began at the age of 20, with the discovery of Bessie Smith and the Blues, is the stuff he transformed with ever growing skill into the tissue of his work.