Born in Canada moved to Peru's altiplano at the age of six; came to the U.S. at 10 to discover that you don't use your feet to dribble the ball. Learned from the git-go that "America" is an idea, not a place.
Seattle Opera’s current staging of Cenerentola is mostly fun to watch. It is also a great example of how much work having fun can be, on both sides of the imaginary footlights.
The rush to electric scooters as a solution to urban congestion and traffic woes is hitting town in a very Seattle way: cautiously, processed-to-death—and maybe too late.
Ludovic Morlot Photo: Lisa-Marie Mazzucco
Sunday afternoon, Ludovic Morlot concluded eight seasons of imaginative programming and fine music-making with the Seattle...
How does a businessman whose image at home has been relatively benign, if at times controversial, find himself in this sort of hot water, with the heat being turned up by both parties?
